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Director + cinematographerLisbonShowreel 20266 filmsRec

Direction / Cinematography / Colour

I light for the cut, not the still.

Short films, music videos and brand work, shot and graded by the same pair of hands.

Take 04Wheat, Alentejo1.85:1 Flat

Films, 2023–26

  1. 01Dust Season2.39:1 Scope02:412026
  2. 02Night Shift1.85:1 Flat06:122025
  3. 03Low Tide2.00:1 Univisium01:302025
  4. 04Figures1.37:1 Academy11:052024
  5. 05Switchback1.66:1 European00:452024
  6. 06Undertow9:16 Vertical03:582023
Dust Season, short film
Short filmAlexa 35 / 50mm

Frame grabs

Ten stills from the reel

Frame from Dust Season
Dust Season00:00:12:04
Frame from Night Shift
Night Shift00:03:41:17
Frame from Low Tide
Low Tide00:00:48:02
Frame from Figures
Figures00:07:20:11
Frame from Undertow
Undertow00:02:02:20
Frame from Switchback
Switchback00:00:31:09
Frame from Dust Season
Dust Season00:02:05:14
Frame from Low Tide
Low Tide00:01:11:06
Frame from Night Shift
Night Shift00:05:09:01
Frame from Undertow
Undertow00:03:12:08

Direction

From script notes to the final cut, with a small crew that moves fast.

Cinematography

One ratio per film, natural light first, framed for the edit.

Colour

Every frame graded in-house, so the look holds from set to screen.

Booking autumn 2026 and 2027

A film byInes Hartley
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