Notes

Set notes

Short notes from recces, shoots and the grade.

Why every film gets its own ratio

Choosing the frame before choosing the lens.

Shooting by brake light

Notes from four nights of rain in Lisbon.

One drone, no horizon

How we shot Low Tide straight down.

Framing for phones first

What changes when the frame is nine by sixteen.

Ines Hartley

Lisbon

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Ines Hartley

Lisbon

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